SHAAN SYED
One Minus One
March 20 - April 18, 2014
March 20 - April 18, 2014
Shaan Syed - One Minus One
installation view
Shaan Syed, Stage Left (White Horizontal with Swipe, 2), 2013
oil and industrial filler on canvas
75 x 67 in (190.5 x 170.5 cm)
Shaan Syed, Freedom to Starve, 2014
screen print on Japanese paper
37 x 26 in (94 x 66 cm)
Shaan Syed, Stage Left (Nude Horizontal With Swipe), 2013
oil and industrial filler on canvas
75 x 67 in (190.5 x 170.5 cm)
Shaan Syed, The Cost of Living, 2014
screen print on Japanese paper
37 x 26 in (94 x 66 cm)
Shaan Syed, Stage right (Dark Green Horizontal With Double Swipe), 2014
oil and industrial filler on canvas
78 x 83.5 in (198.5 x 211.5 cm)
Shaan Syed, Stage right (Black Horizontal Slide), 2013
oil and industrial filler on canvas
75 x 67 in (190.5 x 170.5 cm)
In his first solo show with the gallery, Shaan Syed presents life-sized oil paintings alongside screen prints depicting hand-written text. In conjunction, the works compel a revaluation of the critical paradigms supporting Western abstraction. Texts listing things such as an offering atan East London caf, “Eggs wayward Bacon Beans Chips Burger,” sound out from the same space as a protest sign (“Freedom to Starve”) and the artist’s full Islamic birth name, “Shaan Tariq Hassan-Syed.” Seemingly disparate in content, these reflections merge in a similar fashion to the bold wipes of Syed’s paintings echoing across the gallery walls. Like Arabic poems about wine written on ancient drinking vessels, a literal reading of his calligraphy misleads upon cursory glance. Their meditative quality emerges in its repetition.